 @article {1850,
	title = {Une reliure sculpt{\'e}e de Michel Li{\'e}nard par Gruel-Engelmann : entre le livre et l{\textquoteright}objet d{\textquoteright}art au XIXe si{\`e}cle},
	journal = {Bulletin du bibliophile},
	year = {2010},
	month = {2010},
	pages = {p. 352-366},
	abstract = {<p>The Parisian bookbinding company Gruel-Engelmann became a specialist of "gift bookbinding" from the middle to the end of the 19th century, and turned books into precious objects dressed in carved wood, ivory, silver or even gold. The BnF keeps a rare example of this kind of book-binding, on a book of devotion to Mary, entitled Mois de Marie by E. Lepelle de Bois-Gallais (Res. p. D. 159). This work is made of wood set on blue velvet and decorated with a delicate enamel painting. Michel Li{\'e}nard, one of the most prolific ornemanists of the century, designed it around 1856. This artist played a major role in developing their style for these times, so concerned by the past but also obsessed by novelty. The alliance of a wilful entreprise and talented artists permitted the carved binding to be fashionable for some decades, and to be greeted with public success at the international exhibitions.</p>},
	keywords = {bibliophilie, BnF, Gruel-Engelmann, Michel Li{\'e}nard, reliure, sculpture, XIXe si{\`e}cle},
	author = {Sophie Derrot}
}
