 @article {41700,
	title = {Sur les traces photographiques de Madame Bovary},
	journal = {Focales},
	year = {2020},
	abstract = {<p>La Biblioth{\`e}que nationale de France a acquis en 2013 un ensemble de vingt-deux photographies et plusieurs manuscrits de Georges Rocher qui entreprit dans les ann{\'e}es 1890 de remonter aux sources d{\textquoteright}inspiration normandes de Gustave Flaubert pour son roman\&nbsp;Madame Bovary. {\`A} l{\textquoteright}appui de la publication de son enqu{\^e}te, il r{\'e}alise des photographies sur le terrain, preuves de l{\textquoteright}existence de personnages de fiction. Cette pratique {\'e}tonnante, o{\`u} le document photographique t{\'e}moigne d{\textquoteright}un roman se pr{\'e}sente comme un cas d{\textquoteright}{\'e}cole passionnant et in{\'e}dit.</p><p>The French National Library acquired in 2013 twenty-two photographs and some manuscripts of Georges Rocher. He undertook at the end of the 1890{\textquoteright}s to reveal the true sources of Gustave Flaubert for his novel\&nbsp;Madame Bovary. Along his text, he presents photographs, to prove the existence of fictional characters. This surprising use, where photography testifies a novel, seems a thrilling textbook case.</p>},
	url = {https://focales.univ-st-etienne.fr/index.php?id=2679},
	author = {Flora Triebel}
}
