@article {3525, title = {Fran{\c c}ois Ier, pouvoir et image}, year = {2015}, note = {

Du 24 mars au 21 juin 2015.

}, month = {2015/03/24}, publisher = {Biblioth{\`e}que nationale de France}, address = {Paris, Biblioth{\`e}que nationale de France, site Fran{\c c}ois-Mitterrand, Galerie I}, abstract = {
{\guillemotleft}1515 : Marignan ! {\guillemotright} Cette formule c{\'e}l{\`e}bre des anciens livres d{\textquoteright}histoire garde tout son pouvoir d{\textquoteright}{\'e}vocation. Fran{\c c}ois Ier avait 20 ans. A peine couronn{\'e} roi, il remportait la plus {\'e}clatante victoire fran{\c c}aise des guerres d{\textquoteright}Italie. {\`A} l{\textquoteright}occasion du cinqui{\`e}me centenaire de cet {\'e}v{\'e}nement, la BnF revient {\`a} la source des repr{\'e}sentations de ce souverain, aussi important pour l{\textquoteright}histoire de son institution qu{\textquoteright}il l{\textquoteright}est pour l{\textquoteright}Histoire de France, et met en lumi{\`e}re la cr{\'e}ation de son image au cours de son r{\`e}gne {\`a} travers une grande exposition.
}, author = {Bruno Petey-Girard and Magali V{\`e}ne and Estelle Boeuf-Belilita and Lucile Trunel} } @conference {1520, title = {Le livre au XIXe si{\`e}cle}, booktitle = {Cycle {\guillemotleft} Histoire(s) de{\textellipsis} {\guillemotright} : {\guillemotleft} Histoire du livre {\guillemotright} : De l{\textquoteright}apparition de l{\textquoteright}imprimerie {\`a} la Renaissance}, year = {2014}, month = {2014/03/27}, publisher = {Biblioth{\`e}que nationale de France}, organization = {Biblioth{\`e}que nationale de France}, address = {Paris, Biblioth{\`e}que nationale de France, biblioth{\`e}que de l{\textquoteright}Arsenal}, author = {Lucile Trunel} } @article {3528, title = {Les {\'e}critures du monde}, year = {2014}, note = {

{\`A} partir du 26 novembre 2014, Station Saint-Germain-des-Pr{\'e}s.

}, month = {2014/11/26}, publisher = {Biblioth{\`e}que nationale de France ; RATP}, address = {Paris, station Saint-Germain-des-Pr{\'e}s (ligne 4 du m{\'e}tro)}, abstract = {
A partir du 26 novembre 2014, la RATP et la Biblioth{\`e}que nationale de France pr{\'e}sentent une exposition consacr{\'e}e aux Ecritures du monde, des origines {\`a} nos jours, sur les quais de la station Saint-Germain-des-Pr{\'e}s (ligne 4 du m{\'e}tro).
55 {\'e}critures sont {\`a} d{\'e}couvrir gr{\^a}ce {\`a} la reproduction de 150 pi{\`e}ces exceptionnelles issues des collections de la BnF mises en valeur par une sc{\'e}nographie originale. Les voyageurs sont ainsi convi{\'e}s {\`a} s{\textquoteright}immerger dans l{\textquoteright}histoire d{\textquoteright}une des plus fabuleuses cr{\'e}ations humaines, pr{\'e}sent{\'e}e dans sa richesse et l{\textquoteright}immense diversit{\'e} de ses caract{\`e}res.
}, author = {Lucile Trunel and Mathilde Rousseau} } @conference {3260, title = {Le service des publics au Mus{\'e}e des arts d{\'e}coratifs}, booktitle = {Chemin d{\textquoteright}acc{\`e}s}, year = {2014}, month = {2014/03/10}, publisher = {Biblioth{\`e}que nationale de France}, organization = {Biblioth{\`e}que nationale de France}, address = {Paris}, author = {Lucile Trunel} } @conference {1570, title = {Les humanit{\'e}s num{\'e}riques et la Grande Guerre, pr{\'e}sentation des ressources en ligne : portail, exposition virtuelle et site p{\'e}dagogique}, booktitle = {Europeana Collections 1914-1918 : une biblioth{\`e}que virtuelle sur la Grande Guerre}, year = {2014}, month = {2014/04/04}, publisher = {Biblioth{\`e}que nationale de France}, organization = {Biblioth{\`e}que nationale de France}, address = {Paris, Biblioth{\`e}que nationale de France, site Fran{\c c}ois-Mitterrand, Petit Auditorium}, author = {Frank Reichherzer and David Avery and Lucile Trunel} } @conference {1535, title = {Les humanit{\'e}s num{\'e}riques et la Grande Guerre, pr{\'e}sentation des ressources en ligne : portail, exposition virtuelle et site p{\'e}dagogique}, booktitle = {Europeana Collections 1914-1918 : une biblioth{\`e}que virtuelle sur la Grande Guerre}, year = {2014}, month = {2014/04/04}, publisher = {Biblioth{\`e}que nationale de France}, organization = {Biblioth{\`e}que nationale de France}, address = {Paris, Biblioth{\`e}que nationale de France, site Fran{\c c}ois-Mitterrand, Petit Auditorium}, author = {Frank Reichherzer and David Avery and Lucile Trunel} } @article {3554, title = {Les premi{\`e}res {\'e}ditions fran{\c c}aise de Jane Austen dans les collections de la BnF}, journal = {Revue de la Biblioth{\`e}que nationale de France}, year = {2014}, pages = {61-69}, author = {Lucile Trunel} } @book {3255, title = {L{\textquoteright}Oulipo : mode d{\textquoteright}emploi}, volume = {Fiches p{\'e}dagogiques}, year = {2014}, pages = {[6]}, publisher = {Biblioth{\`e}que nationale de France}, organization = {Biblioth{\`e}que nationale de France}, address = {Paris}, author = {Isabelle Le Pape}, editor = {Lucile Trunel} } @book {4086, title = {Ast{\'e}rix {\`a} la BnF ! : fiches p{\'e}dagogiques}, year = {2013}, pages = {3 d{\'e}pl. non pagin{\'e}s [6]-[6]-[6] p.}, publisher = {Biblioth{\`e}que nationale de France}, organization = {Biblioth{\`e}que nationale de France}, address = {Paris}, author = {Lucile Trunel} } @conference {4340, title = {Education. Le patrimoine de la litt{\'e}rature pour la jeunesse dans Gallica : un nouvel alli{\'e} pour le public enseignant}, booktitle = {La num{\'e}risation concert{\'e}e en litt{\'e}rature de jeunesse}, year = {2013}, month = {2013/11/07}, publisher = {Biblioth{\`e}que nationale de France ; M{\'e}diath{\`e}que Fran{\c c}oise Sagan {\textendash} Fonds Heure Joyeuse}, organization = {Biblioth{\`e}que nationale de France ; M{\'e}diath{\`e}que Fran{\c c}oise Sagan {\textendash} Fonds Heure Joyeuse}, address = {Paris, Biblioth{\`e}que nationale de France, site Fran{\c c}ois-Mitterrand, Petit auditorium}, url = {http://www.bnf.fr/documents/TRUNEL_presentation2013.pdf}, author = {Lucile Trunel} } @conference {3296, title = {{\'E}tudier la Grande Guerre gr{\^a}ce aux ressources num{\'e}riques de la BnF}, booktitle = {16e Rendez-vous de l{\textquoteright}histoire}, year = {2013}, month = {2013/10/11}, publisher = {Rendez-vous de l{\textquoteright}histoire}, organization = {Rendez-vous de l{\textquoteright}histoire}, address = {Blois, Lyc{\'e}e Dessaignes, Salle Info 1}, author = {Soizic Donin and Lucile Trunel} } @book {3398, title = {La Grande Aventure du livre : de la tablette d{\textquoteright}argile {\`a} la tablette num{\'e}rique}, year = {2013}, note = {

Par Marie-Odile Germain, Marie-Th{\'e}r{\`e}se Gousset, Thierry Grillet, Christian Jacob, Jean-Dominique Mellot, Virginie Meyer, Anne Moeglin-Delcroix, Eve Netchine, Emmanu{\"e}l Souchier, B{\'e}r{\'e}nice Stoll, Lucile Trunel, Annie Vernay-Nouri, Jean-Didier Wagneur, ; introduction de Catherine Becchetti-Bizot.

}, pages = {191}, publisher = {Biblioth{\`e}que nationale de France : Hatier}, organization = {Biblioth{\`e}que nationale de France : Hatier}, address = {Paris}, keywords = {Livres -- Histoire}, isbn = {978-2-7177-2543-8 (BnF)}, issn = {978-2-218-96764-1 (Hatier)}, author = {Marie-Odile Germain and Marie-Th{\'e}r{\`e}se Gousset and Thierry Grillet and Christian Jacob and Jean-Dominique Mellot and Virginie Meyer and Anne Moeglin-Delcroix and {\`E}ve Netchine and Emmanu{\"e}l Souchier and B{\'e}r{\'e}nice Stoll and Lucile Trunel and Annie Vernay-Nouri and Jean-Didier Wagneur}, editor = {Anne Zali} } @article {trunel_zoom_2013, title = {Zoom sur l{\textquoteright}action p{\'e}dagogique}, journal = {Chroniques de la Biblioth{\`e}que nationale de France}, year = {2013}, month = {2013/01}, pages = {18}, author = {Lucile Trunel} } @book {donin_presse_2012, title = {La presse {\`a} la Une: de la Gazette {\`a} Internet : fiches p{\'e}dagogiques}, series = {Fiches p{\'e}dagogiques / Biblioth{\`e}que nationale de France}, year = {2012}, publisher = {Biblioth{\`e}que nationale de France}, organization = {Biblioth{\`e}que nationale de France}, address = {Paris}, keywords = {France, Presse, Presse {\textendash} France {\textendash} Histoire}, author = {Soizic Donin and Anne-Sophie Lambert and Sophie Pascal}, editor = {Lucile Trunel} } @article {trunel_les_2012, title = {Les m{\'e}tamorphies de l{\textquoteright}oeuvre et de l{\textquoteright}{\'e}criture {\`a} l{\textquoteright}heure du num{\'e}rique : vers un renouveau des humanit{\'e}s ?}, journal = {Chroniques de la Biblioth{\`e}que nationale de France}, year = {2012}, month = {2012/10}, issn = {1283-8683}, author = {Lucile Trunel} } @book {cayol_miniatures_2012, title = {Miniatures flamandes, 1404-1482: fiches p{\'e}dagogiques}, series = {Fiches p{\'e}dagogiques / Biblioth{\`e}que nationale de France}, year = {2012}, publisher = {Biblioth{\`e}que nationale de France}, organization = {Biblioth{\`e}que nationale de France}, address = {Paris}, author = {C{\'e}cile Cayol and Elisa Lopez and Caroline Doridot and Anne-Sophie Lambert}, editor = {Lucile Trunel} } @article {1955, title = {The renovation of the Richelieu building : a future centre for art researchers in Paris}, journal = {Art Libraries Journal}, volume = {36, January}, year = {2011}, pages = {11-16}, author = {Martine Poulain and S{\'e}bastien Gaudelus and Lucile Trunel} } @book {3009, title = {Les {\'e}ditions fran{\c c}aises de Jane Austen, 1815-2007 : l{\textquoteright}apport de l{\textquoteright}histoire {\'e}ditoriale {\`a} la compr{\'e}hension de la r{\'e}ception de l{\textquoteright}auteur en France}, year = {2010}, note = {
Texte remani{\'e} de : Th{\`e}se de doctorat : Soci{\'e}t{\'e}s anglophones : Paris 7 : 2008
}, pages = {573}, publisher = {H. Champion}, organization = {H. Champion}, address = {Paris}, isbn = {978-2-7453-2080-3}, author = {Lucile Trunel} } @article {3011, title = {A snapshot of some current digitisation projects in French art libraries}, journal = {Art Libraries Journal}, volume = {34}, year = {2009}, month = {2009/01}, pages = {17-21}, abstract = {

The Gallica programme of the Biblioth{\`e}que nationale de France, and the Digital Library of the Institut national d{\textquoteright}histoire de l{\textquoteright}art (INHA), are two major French initiatives in the digitisation of art history information. Gallica was launched in 1995 and by the end of 2007 incorporated some 80,000 images and 90,000 texts. Essentially encyclopaedic in content, it nevertheless contains much material relevant to art, including iconographic documents from the library{\textquoteright}s specialist departments. Mass digitisation of some 100,000 works per annum from 2007 onwards will add a substantial body of texts and periodicals in this subject. INHA{\textquoteright}s digitisation programme for its Digital Library began in 2002: the two main areas it is currently concentrating on are a corpus of {\textquoteright}classics of art history{\textquoteright}, and the digitisation of specialised and rare documents such as the pre-1920 catalogues of the Louvre. 200,000 images are already available on line.

}, url = {http://connection.ebscohost.com/c/articles/36266132/snapshot-some-current-digitisation-projects-french-art-libraries}, author = {Lucile Trunel} } @conference {5680, title = {Jane Austen{\textquoteright}s French Publications, 1815 {\textendash} 2007 : History of a Misunderstanding}, booktitle = {New Directions in Austen{\textquoteright}s Studies}, year = {2009}, month = {2009/07/09}, publisher = {University of Southampton, Southampton Centre for Eighteenth Century Studies}, organization = {University of Southampton, Southampton Centre for Eighteenth Century Studies}, address = {Chawton, Chawton House}, author = {Lucile Trunel} } @mastersthesis {3008, title = {Les {\'e}ditions fran{\c c}aises de l{\textquoteright}oeuvre de Jane Austen (1815-2007) : l{\textquoteright}apport de l{\textquoteright}histoire {\'e}ditoriale {\`a} la compr{\'e}hension de la r{\'e}ception de l{\textquoteright}auteur en France}, volume = {Th{\`e}se de doctorat : Langue et cultures des soci{\'e}t{\'e}s anglophones : Paris 7 : 2008}, year = {2008}, pages = {874}, abstract = {

L{\textquoteright}histoire des {\'e}ditions fran{\c c}aises de Jane Austen, de 1815 {\`a} 2007, apporte un {\'e}clairage essentiel pour appr{\'e}hender la r{\'e}ception de l{\textquoteright}{\'e}crivain en France. En effet, bien que ses six romans aient {\'e}t{\'e} publi{\'e}s en fran{\c c}ais tr{\`e}s t{\^o}t, de 1815 {\`a} 1824, et n{\textquoteright}aient jamais cess{\'e} de l{\textquoteright}{\^e}tre, il existe un grand d{\'e}calage entre sa renomm{\'e}e en France et en Grande-Bretagne, o{\`u} elle est consid{\'e}r{\'e}e comme l{\textquoteright}un des plus grands {\'e}crivains britanniques. Ici, elle est plut{\^o}t repr{\'e}sent{\'e}e comme une romanci{\`e}re {\guillemotleft} sentimentale {\guillemotright}. Ceci peut s{\textquoteright}expliquer par la m{\'e}diocre qualit{\'e} des {\'e}ditions fran{\c c}aises publi{\'e}es, qui, bien que nombreuses, surtout dans les trente derni{\`e}res ann{\'e}es, donnent une image d{\'e}form{\'e}e de l{\textquoteright}{\oe}uvre. Cette th{\`e}se ne s{\textquoteright}attache pas {\`a} examiner la qualit{\'e} des traductions, mais {\`a} resituer les {\'e}ditions fran{\c c}aises dans un contexte historique et litt{\'e}raire, {\`a} tenter de savoir pourquoi Jane Austen a {\'e}t{\'e} traduite, par qui, quand, {\`a} l{\textquoteright}initiative de quels {\'e}diteurs, dans quel but, {\`a} c{\^o}t{\'e} de quels autres auteurs, dans quelles collections, et surtout pour quel public. Tout ceci permet de cerner l{\textquoteright}image de Jane Austen dessin{\'e}e par le monde de l{\textquoteright}{\'e}dition fran{\c c}ais, {\`a} destination de ses lecteurs. A cette fin, on examine notamment les {\guillemotleft} objets-livres {\guillemotright}, {\'e}tudiant l{\textquoteright}ensemble du paratexte qu{\textquoteright}ils offrent. Une {\'e}volution s{\textquoteright}est-elle produite dans la perception fran{\c c}aise des romans de Jane Austen, en particulier depuis la fin du XX{\`e}me si{\`e}cle, qui a vu la {\guillemotleft} red{\'e}couverte {\guillemotright} de cet auteur par certains {\'e}diteurs et la part du paratexte critique universitaire augmenter ?

The history of Jane Austen{\textquoteright}s French editions brings essential light to the writer{\textquoteright}s reception in France. Indeed, although her six novels were published very early, from 1815 to 1824, and have never stopped being in print since then, there is a huge gap between her fame in France and in Great-Britain, where she is considered as one of the greatest British writers. Here she is rather presented as a {\guillemotleft} sentimental {\guillemotright} novelist, therefore primarily appreciated by the feminine readership. This can be explained by the inferior quality of the French editions published in the XIXth and XXth centuries, which, though numerous, especially in the last thirty years, give a distorted vision of Jane Austen{\textquoteright}s work. This thesis does not attempt to examine the quality of the translations, but to re-place the French editions in their historical and literary context, to try to find out why Jane Austen was translated, by whom, when, on which publishers{\textquoteright} initiative, to what purpose, next to what other authors, in what collections, and especially for which public. Ail this may help define Jane Austen{\textquoteright}s figure as drawn for its readers by the French publishing world. To this end, we notably examine the books as objects, studying the whole {\guillemotleft} paratext {\guillemotright} they offer, covers, prefaces and other texts likely to present the novelist and her work. Has an evolution occurred in the French perception of Jane Austen{\textquoteright}s novels, in particular since the end of the XXth century, which saw the {\guillemotleft} rediscovery {\guillemotright} of this author by some publishers, and the increasing part played by academic criticism ? The inflation of poor quality paperbacks seems to demonstrate that Jane Austen{\textquoteright}s reception in France is still to be built.
}, author = {Lucile Trunel}, editor = {Fr{\'e}d{\'e}ric Og{\'e}e and Marie-Fran{\c c}oise Cachin} }